NEW WALLED CITIES & HINTERLANDS
An exhibition by Berenika Boberska and Peter Culley with various contributors
February 20th until March 19th with a celebration of the exhibit on March 12th, from 5pm – 8pm
For these few weeks, Arena 1 Gallery is reimagined as a near-future mansion, faithfully transported from the San Fernando Valley to its final resting place inside this old aircraft hangar. It is 2027, and we look back on the lives of the original owners, each descendants of the opulent House of Burbank. Visitors are for the first time able to stroll between five key rooms opened to the public for this unique moment: The Great Hall, The Hinterlands Drawing Room, Treasures of California City, the Short History of Burbank Gallery, and Gavrieli’s Library. Through the display of their personal effects, we see a glimpse into an early 21st century world defined by conflicting concerns: elite interiors and democratic flat lands; pragmatic modern technologies and old-world delights; celebrity worship and the lone outlaw; the New Walled Cities and Hinterlands.
Contemporary Los Angeles, ultimate poster boy for the distended urban condition, has a secret fetish for fixed big boxes, fantasy castles and gated communities. Fragments of medieval echoes appear through the endless fabric of the Hinterlands. The archetypal sprawling city can often be found worshipping the contained and feeling out the edge. Emerging against a backdrop of flat–lining cultural ubiquity, default density assumptions and environmental neuroses, comes a New Romantic Urbanism of figures and fields, Emerald Cities and flowering asphalt.
We take for granted mythological cautionary tales about the forest and its beasts, and the protagonists who dared venture outside ancient city walls. But now, in the modern Hinterlands of agricultural land, cul-de-sac developments, solar farms, spoil heaps, eccentric landscapes of technology and infrastructure that replaced the forest floor, we can find a new poetry of wilderness and uncertainty. Sprawl can be terrifying and beautiful, just as the mystical forest was. It is vast, expanding, yet strangely overlooked. Perhaps now, with the aid of isolated intense containers – the Walled City fragments – we are constructing the setting for new delicate narratives. Here we see an alternate Los Angeles urban typology: the Hinterlands embraced in a poetic light, a fertile plain to sprout gaggles of Walled Cities, some intended, others merely vernacular accidents. Armed with early moments of the Hinterlands’ emerging self-consciousness and exhibitionist tendencies – SITE’s Best Products Showrooms, the signs and icons of Venturi, Brown and Izanour’s ‘Learning from Las Vegas’ – pitted against the draw of the brooding internalized Walled City classics, the power of the binary is embraced for a new megalopolis model.
Contributors: FAT and Grayson Perry; Feral Office; Jason Griffiths; Scrap Marshall; Ordinary Architecture; Yael Reisner; Spatial Affairs Bureau; Nana Tchitchoua; THE PRINTMAKERS LEFT; James Wines – SITE; Select Students and Alumni from Woodbury University School of Architecture, experts including: Nicholas Gallucci, electrical engineer; Professor Mark Thompson, photovoltaics and material sciences; Rossen Ventzislavov, urban philosopher; Roland Wahlroos-Ritter, pilot.
The exhibition is generously sponsored and supported by J.P. Weaver Co., Glendale CA; Valley Counter Fitters Inc, Chatsworth CA; Advanced Foam, Gardena; Gavrieli Plastics; NanoFlex Power Corporation; Mark Thompson Laboratories, USC; McIntire Department of Art, University of Virginia; Woodbury School of Architecture.
Berenika Boberska and Peter Culley both teach architecture at Woodbury University, and each practice in LA. They are both graduates of the Bartlett School of Architecture, University College London, and have subsequently taught there also. They are based at Woodbury University’s Hollywood Outpost – ‘WUHO’.
Berenika for her practice, Feral Office, is currently working on research projects ‘Fallow Cities’ between architecture, art and landscape for abandoned Detroit suburbias, and ‘EX-urb Fantastic, California City Project’, looking at hinterlands, suburban outpost typologies, and how to inhabit power source infrastructure. She draws heavily on her Masters of Fine Art Printmaking from the Royal College of Art for her material science investigations. Her work has been featured at the Second Moscow Architecture Biennale, the Graphics Triennale in Jyväskylä, Finland, and she has won the international competition for the architecture and design pavilion at the Novosibirsk Festival in 2008 and was given an honorable mention in the 2014 Fairytales architectural story-telling competition.
Peter, for Spatial Affairs Bureau, his award winning architecture practice, is amongst other projects currently working on a new 2 mile long ‘BridgePark’ across the James River, in Richmond VA that will reconnect two sides of the city and symbolically reclaim lanes of an oversized highway bridge and an abandoned railroad abutment for pedestrian and cycle use; a 40 000 sq ft Arts Space for Crosstown Arts within an until-now ruined 1.5 million sq ft Sears distribution center in Memphis, TN; furniture for the Metropolitan Museum of Art, New York, at both its 5th Avenue and new Breuer Building homes; ongoing architectural reshaping for global advertising agency, TBWA Chiat Day; as well as two Passive House projects in Echo Park, Los Angeles and a house, gallery and studio for artist Rana Begum in London.
ARENA 1 is an exhibition space founded by Santa Monica Art Studios directors Yossi Govrin and Sherry Frumkin. Based in an historic hangar at the Santa Monica Airport, ARENA 1 invites nationally and internationally renowned artists, as well as established curators, to develop innovative and compelling exhibitions.
A project of Santa Monica Art Studios
3026 Airport Avenue
Santa Monica, CA 90405
310 / 397-7456
gallery hours: wed-sat 12-6pm